“In true summer-house fashion, Pilot Coffee Roasters’ seasonal pop-up in Ontario’s Prince Edward County distills the burgeoning espresso empire’s primary outlets into a smaller version that opens up to the great outdoors. Credit Williamson Williamson for the skillful downsizing. Back in 2013, Pilot co-founders Jessie and Andy Wilkin enlisted the architecture studio – then Williamson Chong – to create their roastery’s Toronto headquarters. Since then, the firm has designed two more coffee shops for Pilot and has another in the works.”
” This Ontario home rethinks suburban norms, sticking all the standard pieces on a highly unusual floor plan. And it won’t be the last of its kind.
Every family is different. Why are so many family homes the same?
The North American ideal of the nuclear family has shaped the way we live for a century now, informing everything from city planning to builders’ floor plans. A new house near Hamilton suggests a different model: a place that provides the suburban virtues of privacy and comfort, while making room for the elders of a family to live and age in place.”
I hope everyone was able to see Alex Bozikovic‘s article in the Globe and Mail on Saturday. He outlines the premise and form of the house and talks about how regulations must change as we embrace caring for our elders. It is an important discussion that we are having with clients, both public and private. And because it seems to be teaser week, there are some great images in the article, but you will just have to wait to see this ‘highly unusual floor plan!’
“For a certain doctor in Ontario, there was never any doubt. He always knew that he would take care of his mom and dad in their old age. When the time came, they moved into the basement of a bungalow that he shared with a social worker, the man he planned to marry. After an initial adjustment, period, they truly became a family.
The stairs to the basement, however, became a problem. So the couple considered building a new home. They found a teardown in Ancaster, near Lake Ontario and the hospital where the doctor practices, The 1/2-acre lot was unusually wide for its neighbourhood of stucco McMansions.
A search for an architect let to another couple, Betsy and Shane Williamson of the firm Williamson Williamson….”
To see how this story ends pick up the January edition of Interior Design magazine…
Last night was a beautiful evening spent at the Palais Royal enjoying the late summer warmth and the lake view while celebrating the winners of this year’s Toronto Urban Design Awards. Betsy spent two days on the jury in June with Elsa Lam, David Anselmi, and Gary McCluskie visiting nearly three dozen projects before narrowing the field to twelve Awards of Excellence and 9 Awards of Merit. Visiting the work is critical to assessing the level of detail and care in the design and construction and seeing how well the spaces are configured and maintained. It was a strong group of entries this year and every team recognized should be thrilled with their achievement.
The Jury Report is available here as a PDF and the Jury Statement is below.
Every two years, the City of Toronto Urban Design Awards program provides an opportunity to assess the progress of the city’s built environment, and to recognize those buildings that strengthen the public realm. The program looks at buildings in their context to identify those that make a positive contribution to the life of the city, and to assess how well they respond to their surroundings.
Above all, the jury seeks to identify projects that are unequivocally public—that engage people through their presence in or proximity to the public realm, adding noticeably to the civic experience. These considerations can’t be measured solely through presentation panels and project texts. So, after compiling a shortlist of projects, the jury piles into a mini-van to visit every chosen site as a group. Over the course of two days of touring and deliberations, this year’s jury travelled to the city’s furthest reaches—from City Hall, to Etobicoke, to North York, to Scarborough—to arrive at the present list of award-winning projects.
The selected projects share a number of common characteristics. Aside from being exemplary in their contributions to the public realm through siting, programming, or composition, all the winning projects also demonstrate conceptual rigor, fine detailing, and equally fine craftsmanship in their construction.
The quality of a project’s detailing and construction is critical in contributing to the experiential quality of the city and raising the bar for public projects. Craftsmanship is exemplified in two projects that received awards of excellence in the Elements category. The public art installation Two Circles and the pavilions at the East Point Bird Sanctuary are each made of a single, carefully manipulated material— ceramic tile and Corten steel, respectively—with results that demonstrate discipline and restraint, and that add to the works’ settings both from afar and up close.
The reuse of heritage buildings also requires a degree of craftsmanship, as well as a vision for an existing building’s potential. The jury found this embodied in the Queen Richmond West development, in which a new block is perched atop two heritage warehouses, supported by sculptural columns in a publically accessible atrium—a stunning blend of old and new. As a more traditional adaptive reuse,
We are always honored to be featured by Architectural Record. It is a publication that we have admired since we were students and to be included in its pages, digitally or in print, is something that we never take for granted. Thank you to the amazing editorial staff for always looking out for out best work.
Check out the article here.
“On Tranby Avenue, history is for the birds. Stained-glass birds nest in almost every transom on this narrow east Annex street, the work of the artisan Robert McCausland when its houses were built around 1890. Most of these birds have been preserved and refurbished – including the one on No. 66, which was cleaned up by Andrew McCausland, great-grandson of the original artisan.
And behind the façade is one of the best modernist renovations I have ever seen in Toronto. It suggests a new and welcome approach to the city’s Victorian houses: to preserve the craftsmanship of the 19th century, and match it with the design and craft of the 21st.”
Alex Bozikovic praises our collaboration with 3GEN and Geronimo in his latest Globe and Mail article seen here.
Our renovation of an 1892 Victorian House in the Annex has caught the attention of Designlines’ editor Tory Healy. Along with Darcy and Alexis of 3Gen Developments, our job was to make this complicated renovation look effortless. As noted by writer Matthew Hague, “The strategy was simple: rooms that were in good condition were preserved, which such details as art nouveau doorknobs and hinges left intact. Areas that had been chopped up by previous renos – the kitchen, bathrooms and master bedroom – were made proudly new.”
Grange Triple Double is profiled in the recent issue of Monocle as part of a piece titled Generation Gaps [Housing]. Sophie Grove puts forward the preface that “Our grandparents deserve a better standard of care and that calls for a multigenerational approach – hence a new model that makes the presence of youth in old people’s homes a central tenet.” She notes that “while many of us might baulk at the thought of sharing close quarters with elderly in-laws, the careful configuration of the Grange Triple Double (with its series of courtyards, decks and large communal areas) provides the family with privacy and the possibility to adapt the spaces as their circumstances change.”
The projects of the exhibition were chosen via a triennial, international architecture competition, Architecture of Necessity. The competition and exhibition aim to gather and present ideas and solutions for sustainable architecture.
The WOOD 2016/TRÄ 2016 exhibition is one of the largest exhibitions in Northern Europe in wood and sustainable architecture and is on display until December 4th.
An exhibition catalogue, Välkommen till framtiden (“Welcome to the future”), has also been released.
Writer Martha Breen eloquently tells the story of the Grange Triple Double. The house is a contemporary contextualization of the site and neighborhood while at the same time, a forward thinking solution for the ‘sandwich generation,’ describing how a young family can accommodate the needs of both children and parents on an urban lot in downtown Toronto. “The house is dynamic both inside and out; it was designed so that it can be adapted as needs change.” The ground floor rental unit can be connected to the home’s living spaces if the grandparents require a fully accessible unit at grade. For the time being, they rather enjoy the view from the third floor with it’s large private deck!
“Canadian architecture practice Williamson Chong has transformed a narrow Edwardian property in a suburban neighborhood of Toronto. The existing home was a poorly renovated residence, and required a complete overhaul in order to provide spacious and comfortable living accommodation. Beginning at the front elevation, every effort was made to produce open and airy family-oriented spaces out of what was previously a cluster of small and awkward rooms.” Please find the link here.
Many thanks to Birgit and Philip for publishing this project. The stair is one of our favourites!
“Young adults are getting squeezed out of the housing market. Their parents, meanwhile, want to downsize without leaving familiar neighbourhoods. The solution couldn’t be simpler to a growing group of designers: Rethink (and rebuild) the family home to suit several generations for the long haul.
…Such adaptability can be built into a house’s architecture. One example is the Grange Triple Double, a house by Williamson Chong Architects: Their clients, a Toronto couple in their 30s with a young son, decided to move in with the wife’s parents. They built a bespoke house that would accommodate them all together with rental income – and then change, multiple times, as the family’s needs evolve through the decades.”
Alex Bozikovic investigates the growing trend of multigenerational homes in Toronto in his latest Globe and Mail article seen here.
Architectural Record reports on the latest work being developed in our office. We are excited to be featured in their February issue.
“The architects are further investigating multigenerational living in their Ancaster Creek House (set for completion this April), an elegant modernist dwelling composed of two double- height volumes, linked by a central glazed dining area, for a couple and their elderly parents. The architects incorporated finely crafted details, like a gently twisting staircase, as well as universal design elements including generous entryways and living quarters on the ground level. “No one wants to feel like they are moving in with their parents, so it’s important to develop spaces that are discrete but connect on a family level…””
Check out the link here.
Designlines Annual Homes issue has come out and features an article on the house we recently completed on Roxborough Street in Toronto. The thoroughly modern clients encouraged us to strip away the dark and deteriorated parts of an old Toronto home and re-engage light and space. Creating a four story curved volume through the home that allows light to transform the interior was the nexus of the project, connecting all the floors to daylight and tying together the once disparate spaces.
In an interview with the Architectural League of New York’s program director, Anne Rieselbach and executive director, Rosalie Genevro, Paul Makovsky writes about Emerging Voices’ enduring mission. We are so proud to have been a winner in the 2014 Emerging Voices Series. In this article, the work of Williamson Chong is prominently featured alongside Steven Holl, Tod Williams and Billie Tsien Architects, Eric Owen Moss and Toshiko Mori!
Each year, Wallpaper Magazine publishes a list of 20 firms that they see as the rising star and breakthrough practices from around the globe. We are pleased to announce that the 2015 Architects Directory has been announced and Williamson Chong is featured on the list. A full digital feature is featured on the Wallpaper website.
“The breeze flowing over your table as you’re sitting down to dinner on a summer evening,” the owner says, is one of the best experiences they’ve had in the house: “There are those magical moments when you feel you’re connected to the place.” When nature provides you with magic, sometimes the wisest course is to let it flow.
Alex Bozikovic elegantly describes the spaces, systems, and details in the Bala Line house. It is nice when our urban projects feel so connected to Toronto’s great natural resources.
“Now in its fourth year, the AJ’s Women in Architecture programme continues to promote equality in the profession and to host the annual WIA Awards.”
England’s The Architects’ Journal has a wonderful issue out on women in the profession. Betsy is featured as a finalist in the Emerging Architect Prize Category and the magazine is filled with profiles of other talented architects. We are looking forward to the day when a special issue like this won’t be required.
On the heels of the finals of the Interior Design Best of Year Awards, Pilot has been published in Interior Design Magazine with the other winners.
Designboom just posted some great images and an article about Pilot Coffee Roasters. It was great to meet Birgit Lohmann and take her through the space. We hope you enjoyed the rest of your time in Toronto.
The House on Fox Lake, which won an award of excellence in the 2014 Canadian Architect Awards, is featured on the cover of the the awards issue of Canadian Architect. Inside, you can find the jury comments, project images, and great coverage of the other award winners.
“Williamson Chong’s installation of sculpted forms and prints is a tribute to wood’s beauty and malleability, and to the expressive lyricism that wood, trees and forests have inspired in poetry, art and architecture since antiquity,” John Bentley Mays eloquently writes on the Living Wood exhibition now installed at the Corkin Gallery in the Distillery District. The article can be found on the Globe and Mail’s website or in the November 27th print edition of the paper.
The Exhibition will be up through the holidays.
Ellen Himelfarb profiles Williamson Chong as part of The New Radicals series in the Globe and Mail. The article speaks to our research travel in the last two years as well as the exhibition that opens on November 20, at the Corkin Gallery.
“They’re at the forefront where theories of design and technological advancement come together,” says gallerist Jane Corkin of the architects, “an intersection representative of the arts in the 21st century.” To support the work of Williamson Chong, Corkin has curated a supporting exhibition called On Architecture and Structure, linking the firm’s theories on design, technology and ecology to painters, photographers and digital artists.
It is an honour to have Domus publish the House in Frogs Hollow in their online publication. The layout is beautiful and the format suits the project well. You can see the project here.
Of 700 entries and 26 victors, Williamson Chong took home three awards at this year’s Residential Architect Awards!
“These winners represent some of the best residential architecture that North America has to offer… The assembled winners represent the hopefulness of a market that is recovering, if not recovered, and transitioning, if not transformed. Such are the beginnings of a revolution in the definition of “home.””
“One of the most striking features of the house is the sliding east window wall at the rear of the house, which blurs the distinction between interior and exterior space. This absence of boundary is further enhanced by the wraparound condition at the corner, where the north wall of glass also pulls away, creating a completely eroded corner that captures even more expansive views of landscape and sky. On the day of my visit, the children were running and jumping between the backyard and living room, moving effortlessly in and out of the two spaces as if they were one.”
Leslie Jen writes a compelling description of the Bala Line house in Toronto, highlighting the integration of the house and the site.
The House in Frogs Hollow is now live on the Phaidon Atlas! Here is a link. The Phaidon Atlas is now an on-line idea as opposed to a printed volume. This allows projects to be uploaded by the editors as they are completed which makes it current and timely. We have already starting exploring the website to see what has already been published and have found lots of inspiring projects with fantastic drawings and details along with all the images that we are accustomed to seeing. Making it into Phaidon should be our goal for every project we do.
Ninan and his team have put together a fantastic issue of EDITION29 on the House in Frogs Hollow. It is designed for the iPad and is accompanied by an oral description of the house culled from a conversation between Ninan and Betsy last month. We are very excited to show our work this way and are looking forward to another collaboration.
Alex Bozikovic from The Globe and Mail recommends a visit to Pilot Coffee Roasters in Doors Open Toronto: 10 things you need to see this weekend.
This weekend’s Doors Open festival is an opportunity to explore some of the best of Toronto’s architecture. Running both Saturday and Sunday, the event features 155 of Toronto’s most interesting places, and each year the most popular venues are 19-century ones such as Old City Hall.
But most of Toronto was built after 1950, and its architecture and design is livelier than it’s ever been. Architecture critic Alex Bozikovic picks four Doors Open spots that tell that part of the story – plus a panel discussion of influential architects “redesigning” the city, and four more places outside the festival where you can sightsee, have a coffee or go swimming 21 century-style. All in all, here are ten places and events that should be on your can’t-miss list.
Beyond Doors Open
Beyond the official tours this weekend, there are places across the GTA where you can experience great modern and contemporary design first hand. Here are four that’ll make your Doors Open weekend richer.
Pilot Coffee Roasters
Young architects rarely get to design public buildings – but occasionally find great clients in retail and hospitality. Such as Pilot Coffee Roasters, who hired the ambitious firm Williamson Chong Architects to design their roastery, warehouse and tasting bar near Greenwood and Gerrard. Head down the laneway; inside the warehouse you’ll find a gorgeous, curvy bar of finely detailed white oak and concrete. And excellent coffee.Monday-Friday, 8:30 a.m. to 3 p.m. 50 Wagstaff Dr.
“Towards a New Pro Forma: Making the case for a new urban prototype where multi-generational living is the natural buy-in.” Metropolis Magazine invited us to envision a multi-generational home for this century. We responded by featuring the Grange Triple Double and showing how it can accommodate a flexible three- or four- generational living condition that can include rental units and accessible spaces for an ageing family member while folding in exterior green spaces and natural through ventilation.
“From roasting to cupping, Pilot’s micro-roastery offers coffee aficionados and baristas a one stop shop for mastering their brewing…” Thank you to Azure for spreading the word on this great coffee shop and especially to Alison Garwood-Jones for the wonderful article.
blogTo calls out one of our newest projects completed for Pilot Coffee Roasters.
Pilot Coffee Roasters have outdone themselves. They moved the roaster at Te Aro into 50 Wagstaff Drive, making a combination roastery, lab, tasting bar and distribution centre that’s slick, gorgeous and technically impressive. It’s unlikely that you’ll find another place in the city (or the country for that matter) that shows off speciality coffee culture functioning at such a high level….
“Torontonians are finally rejecting fussy Victorian architecture and going bold. In almost every neighbourhood, there’s a house or two that stands out…Here, a look inside some of our favourites.” The November issue of Toronto Life features Blantyre House in a feature on new homes in Toronto.
“Betsy Williamson ’88 is an artist. Her medium is wood, her palette is very large, and her official job title is architect, but in Williamson’s mind, the two disciplines are inextricably linked.” Many architects will tell you that they have wanted to be architects since they were kids. Betsy locked in after taking a series of architecture and art history classes in high school at Phillips Exeter Academy. Lori Ferguson’s Exonian Profile this month outlines Betsy’s start and Williamson Chong’s recent Rome Prize research.
“For a Toronto couple with a love of minimalist Japanese architecture, a sleek, storage-packed kitchen was the first priority in their home.”
Dwell Magazine has done us right this month with a double page feature on the Blantyre House kitchen. Writer Alex Bozikovic talks about the design of the “kitchen studio” as the centre of this new home in Toronto’s east end.
The Canadian Wood Council just released a publication celebrating the 2011-12 North American Wood Design Award Winners. This is a follow-up feature for the House in Frogs Hollow which has now been recognized for a 2010-11 North American Wood Design Award and a 2011-12 Ontario Wood WORKS! Award. The jury for this past year included Michael Green, Michael Green Architecture Inc., Tye Farrow, Farrow Partnership Architects, and Brian Rudy, Moriyama & Teshima.
Sometimes the details get noticed...On the Pleasures of the Window Seat in today’s Globe and Mail.
The window bench in the House in Frogs Hollow was conceived of for a fairly practical reason. The Loewen window we used only came about 7-1/2′ tall. We didn’t want to have a transom above the window to fill the 9′ tall space, so we shifted the windows up and installed the bench below. As you can see on the right side of the fireplace, the same size window sits on the floor and the space above holds ducts and structure concealed in a bulkhead.
The bench is solid maple with a stainless steel liner in the wood storage area just to the left of the fireplace. The other bench storage areas hold the stereo equipment and speakers with the wires running through a chase in the back. We configured the bench to relate to the maple panels on the other side of the fireplace that conceal a fresh air vent and a structural column while providing a place to house the fire tools.
The cushion on top of the bench was custom made in 2-1/2″ thick high density foam. It is a very comfortable place to lay and read in both the summer and the winter. We looked at a lot of fabrics at Maharam and finally chose the pattern ‘Venn” in paprika colour because it matches the natural colours in the landscape and helps to tie the inside and outside of the house together. The fabric is quite durable and has held its colour well, even with so much exposure to direct sunlight.
It was a pleasant surprise to get a call from the Globe and Mail this week when they decided to feature the residence we renovated in the Annex. The full article is featured on their website and there is a nice slideshow as well. We are happy that the convertibility of the student lodging on the upper floor and basement apartment were part of the story. Those features are what make this project a unique and important essay on incremental urbanism.
This is the first time we have had a project in Architectural Record and we couldn’t be more excited about it. The Blantyre House, with its ‘kitchen studio’ that opens the ground floor up to become a contiguous space with the street and the back yard, has been chosen for the 2012 Record Kitchen & Bath portfolio in Record Interiors. As always, thank you to Ken and Bonnie for being gracious with their time. And Bob, once again, your photos are taking us to some pretty great places. There is a greater array of photos on the website and the September issue is on sale now.
“Advances in building technologies are expanding the architectural possibilities of wood. Toronto-based Williamson Chong Architects will be spending their Prix de Rome winnings on a road trip to scout out new uses for high-tech timber.” – John Bentley Mays
We have already started planning our first trip for Spring 2013. We are getting great responses from the folks working in Austria.
Our favorite freebie in Toronto has got to be Design Lines. Listing all the best places to shop, eat, and mine for inspiration, we always end up with a few on the coffee table. We are very happy to have a project featured in the fall issue. Our Howland Avenue Residence modernizes a former rooming house in the Annex into a house that will transform and grow with a family committed to a car-free downtown lifestyle. As the writer Will Jones puts it, “City living doesn’t come cheap, and local architecture firm Williamson Chong believes a house should work hard for its owners.”
The Design Lines website has a list of locations where you can pick up a copy.
“Too many newly-built homes in Toronto are muscle-bound hulks bullying their way into established neighbourhoods. Williamson Chong’s new Scarborough project shows a thoughtful, sensitive alternative.” – John Bentley Mays
The Blantyre House is an example of one of our ground-up infill projects that contributes to our developing notion of ‘incremental urbanism’ in Toronto. Thanks to John Bentley Mays for the article, Bob Gundu for the photographs, and Ken and Bonnie for opening their home. The full article can be found on The Globe and Mail’s website with a slideshow of images by Bob Gundu.
We just received the publication put out by the City of Edmonton that chronicles the entries for the Park Pavilion Design Competition held last year. Our Victoria Park entry, Aspen Overpass, is on pages 108 and 109. When we look at the competition boards, all we smell is pizza. So much work went into these entries.
We are so pleased to be included in this year’s City Home guide. Look for us on page 105. There is a nice photo of the office and descriptions of the 16 most incredible offices in the city!
Dean Kaufman’s aerial photo of the Galley House garden in bloom is one of our favorite images of this space. Thanks again to Dwell for its continued support of this project.
The House in Frogs Hollow has been included in Architectural Record’s March 2012 “All in the Details” section of featured houses. Special thanks to Alex Bozikovic for the write-up.
Abbey Gardens is in distinguished company in this year’s Awards of Excellence. The December issue of Canadian Architect highlights all the winning projects.
The Canadian Wood Council just released a publication celebrating the 2010-11 North American Wood Design Award Winners. The House in Frogs Hollow is featured along with the work from Studio Gang Architects, IwamotoScott Architecture, Cutler Anderson Architects, David J. Agro, Eskew+Dumez+Ripple, Mankouche/Bard/Schulte, Flansburgh Architects, Robert M. Cain, Lewis.Tsurumaki.Lewis Architects, HGA Architects and Engineers, The Miller Hull Partnership, StructureCraft Builders Inc. , and McFarland Marceau Architects .
We spent a lovely afternoon with John Bentley Mays at the House in Frogs Hollow and enjoyed his reading of the house featured in last week’s Globe and Mail. The article can be found on The Globe and Mail’s website with a slideshow of images by Bob Gundu.
John Bentley Mays, “Grey County Home Rides an Uncompromising Landscape,” The Globe and Mail, August 19, 2011; G.
Will Jones introduces Toronto’s infill housing to Croatia. The Galley House is featured this month in Oris, a magazine for architecture and culture that is published bimonthly as a Croatian-English edition.
Our firm has be profiled in the April 2011 issue of Canadian Builders Quarterly, featuring the House in Frogs Hollow.
Thank you to Lucie Lavigne from La Presse for including two of our projects in the French language publication Construire, Renover, Transformer.
Plan Magazine, out of Dublin, Ireland, has chosen The House in Frogs Hollow as one of its featured “one-off houses.” Bob Gundu’s photographs look amazing.
Jin-Young Yoo, “Unique Homes: House in Frogs Hollow,” Casa Living, April 2010; p. 211.
Night shots by Colin Field are featured in this article.
Galley House, Small Fridges Make Good Cities, and our competition entry for the New National Library for the Czech Republic have been published in Twenty + Change.
Door with Peephole is featured in Lisa Iwamoto’s new book on digital fabrication.
Look for Stock Space alongside the work of Andrew Kudless and Kevin Klinger in the May/June issue of AD.
One of our CNC milled pieces from the Topologies series lands on the cover of Canadian Architect this month. Also be sure to check out the back page which features Smoke Tray.
Chodikoff, Ian. “Smoke and Mirrors.” Canadian Architect June 2007: 50.
PAP did a wonderful job on the publication that accompanies the Young Architects Award from the Architectural league of New York. It has just been published.
Shane contributes a paper to this year’s ACADIA Conference Proceedings.
Williamson, Shane. “Stock Space.” Synthetic Landscapes | Digital Exchange. Ed. Cory Clarke, Gregory Luhan, Phillip Anzalone, and Mark Cabrinha. University of Kentucky: Association for Computer Aided Design in Architecture (ACADIA), 2006. 546-47.
Williamson, Shane. “Stock Space.” Responsive Architectures: Subtle Technologies 2006. Ed. Philip Beesley, Sachiko Hirosue, Jim Ruxton, Marion Trankle, and Camille Turner. [Cambridge, Ont.]: Riverside Architectural, 2006. 152-57.
Published twice a year, Designlines Toronto is brought to you by Azure, Canada’s leading magazine of architecture, design, and art. It serves as a city and neighborhood guide to the best design sources Toronto has to offer. Our digital design and fabrication work is featured in an interview with Elizabeth Pagliacolo.
Pagliacolo, Elizabeth. “New Wave.” Design Lines Toronto Fall 2006: 46-48.
DogTrot was featured on Inhabitat in March of 2006. The link is no longer active.
Scalar is featured in the latest issue of Thresholds.
Shane Williamson co-chairs “FABRICATION: A Conference Examining the Digital Practice of Architecture,” the 23rd Annual Conference of the Association for Computer Aided Design in Architecture (ACADIA), the American Institute of Architects (AIA) and Technology and Practice (TAP). The FABRICATION conference was held November 11-14, 2004, at the Faculty of Architecture, University of Waterloo and the Faculty of Architecture, Landscape and Design, University of Toronto. Workshops, tours and exhibits of new rapid-prototyping machinery and European building technologies complemented professional presentations and refereed research papers. Featured speakers included Mark Burry, Cristian Ceccato, Chuck Eastman, Siamak Hariri, and Lars Hesselg.
Accompanying publications were produced concurrently:
Shane Williamson, Nancy Yen-Wen Cheng, and Phillip Beelsey, ed. Fabrication: Examining the Digital Practice of Architecture. Proceedings of the 2004 AIA/ACADIA Fabrication Conference, Toronto: Coach House Press; 2004.
Shane juries the 2004 Digital Media Awards sponsored by Canadian Architect. “Speculative Conception: Digital Media Awards 2004,” Canadian Architect, vol. 49, no. 6, June 2004; 19-25.